E7 Chord

This article on the E7 chord explains its music theory and teaches you to play the common voicings of the chord on the guitar and piano keyboard with recommended fingering options.

Read the complete article on how to play the E7 chord below!

Music Theory, Notes & Intervals Of The E7 Chord

The music theory of the E7 chord, in brief, is:

  1. It is built by stacking an interval of a minor third over the E major triad.
  2. The dominant 7th chord has intervals of major third – minor third – minor third over the root notes.
  3. The notes of the E7 chord are [E, G#, B, and D]. These notes are at the scale degrees [5, 7, 2, and 4] of the A major key.

E7 Chord Scales

The following scales contain the E7 dominant chord as a naturally occurring chord:

  1. A Major Scale and its modes.
  2. A Melodic Minor Scale and its modes.
  3. B Melodic Minor scale and its modes.
  4. A Harmonic Minor scale and its modes.
  5. A Harmonic Major scale and its modes.

How To Play The E7 Chord

You will now learn how to play the E7 guitar and E7 piano chords.

Map E7 Guitar Chord Along All The Fretboard

The chord tones of the E7 guitar chords in standard tuning are shown on the fretboard in the diagram below.

E7 Chord Tones Up to 14 Fret

E Dominant Seventh Chord – Guitar Chord Shapes And Fingerings

You can go through the various ways to play the E7 guitar chord in the guitar chord diagrams below. Like other guitar chords, you can play E7 in open, movable, and barre chord shapes. The red circles show the suggested finger positions, and the black circles show the fret numbers. The strings marked ‘X’ must be muted or skipped, while ‘O’ must be played in the open position.

Open Position

The open voicings of the E7 chord are detailed below in all the positions up to the octave.

  1. O1 – Construction – (x – x – 2 – 1 – 3 – 0). Notes – (1, 3, b7, and 1). This shape has an omitted 5th note. The lowest root note is on the D string
  2. O2 – Construction – (0 – 2 – 0 – 1 – 0 – 0). Notes – (1, 5, b7, 3, 5, and 1). The lowest root is the open low e string.
  3. O3 – Construction – (x – 2 – 0 – 1 – 3 – 0). Notes – (5, b7, 3, b7, and 1). B is the bass note.
  4. O4 – Construction – (0 – 2 – 0 – 1 – 3 – 0). Notes – (1, 5, b7, 3, b7, and 1).
  5. O5 – Construction – (0 – 2 – 2 – 1 – 3 – 0). Notes – (1, 5, 1, 3, b7, and 1).
  6. O6 – Construction – (0 – 5 – x – x – x – x). Notes – (1 and b7). 3rd and 5th are omitted.
  7. O7 – Construction – (0 – x – 6 – 7 – x – x). Notes – (1, 3, and b7). 5th is omitted.
  8. O8 – Construction – (0 – 7 – 6 – 7 – 5 – 0). Notes – (1, 1, 3, b7, 1, and 1). 5th is omitted.
  9. O9 – Construction – (0 – 7 – 6 – 7 – 0 – 7). Notes – (1, 1, 3, b7, 5, and 5).
  10. O10 – Construction – (x – 7 – x – 7 – 9 – 7). Notes – (1, b7, 3, and 1). 5th is omitted.

O1

E7 Chord Open O1

O2

E7 Chord Open O2

O3

E7 Chord Open O3

O4

E7 Chord Open O4

O5

E7 Chord Open O5

O6

E7 Chord Open O6

O7

E7 Chord Open O7

O8

E7 Chord Open O8

O9

E7 Chord Open O9

O10

E7 Chord Open O10

Movable Positions

The eight voicings to play guitar movable shapes are shown below.

  1. M1 – Construction – (x – x – x – 4 – 3 – 4). Notes – (5, b7, and 3). This is a rootless voicing.
  2. M2 – Construction – (4 – x – 2 – 4 – 3 – x). Notes – (3, 1, 5, and b7).
  3. M3 – Construction – (x – x – 2 – 4 – 3 – 4). Notes – (1, 5, b7, and 3).
  4. M4 – Construction – (x – 7 – 6 – 7 – 5 – x). Notes – (1, 3, b7, and 1). 5th is omitted.
  5. M5 – Construction – (x – 7 – 6 – 7 – x – x). Notes – (1, 3, and b7). 5th is omitted.
  6. M6 – Construction – (x – 7 – 6 – 7 – x – 7). Notes – (1, 3, b7, and 5).
  7. M7 – Construction – (x – x – 6 – 7 – 5 – 7). Notes – (3, b7, 1, and 5).
  8. M8 – Construction – (12 – x – 12 – 13 – 12 – x). Notes – (1, b7, 3, and 5).

M1

E7 Chord Movable M1

M2

E7 Chord Movable M2

M3

E7 Chord Movable M3

M4

E7 Chord Movable M4

M5

E7 Chord Movable M5

M6

E7 Chord Movable M6

M7

E7 Chord Movable M7

M8

E7 Chord Movable M8

Barre Chords

The seven Barre chord shapes for the E7 chord are

  1. B1 – (1, 1, 5, b7, 3, and 5). This shape uses the open low e string also.
  2. B2 – (1, 5, b7, 3, and 5).
  3. B3 – (1, b7, 3, and 5).
  4. B4 – (1, 3, and b7).
  5. B5 – (5, 1, 3, and b7). B is the root note. This is a very common voicing with the minor seventh note on the high e-string.
  6. B6 – (b7, 3, 5, and 1).
  7. B7 – (1, 5, b7, 3, 5, and 1). Note that this shape is based on the open E7 shape shown as O2 above.

B1

E7 Chord Barre B1

B2

E7 Chord Barre B2

B3

E7 Chord Barre B3

B4

E7 Chord Barre B4

B5

E7 Chord Barre B5

B6

E7 Chord Barre B6

B7

E7 Chord Barre B7

Chord Diagrams – E7 Chord Inversions

The chord diagrams below show the chord inversions I1, I2, and I3 of the E7 chord.

  1. First Inversion E7/G# with notes [G# B D E]. The Bass note is G#.
  2. Second Inversion E7/B with notes [B D E G#]. The lowest note is B.
  3. Third Inversion E7/D with notes [D E G# B]. The Bass note is D.

I1

E7 Inversion I1

I2

E7 Inversion I2

I3

E7 Inversion I3

E7 Chord Piano With Keyboard Diagram.

The keyboard diagram in the root position for the E7 chord is shown below. Red circles mark the notes.

E7 Chord on the Piano Keyboard

Fingering Arrangement

  • Right Hand – 1 – 2 – 3 – 5.
  • Left Hand – 5 – 3 – 2 – 1

The thumb is designated as ‘1’ and the little finger ‘5’ for both hands.

First Inversion

The keyboard diagram for the E7/G#, the first inversion, is shown below.

E7 Chord First Inversion on the Piano Keyboard

Fingering Arrangement

  • Right Hand – 1 – 2 – 4 – 5.
  • Left Hand – 5 – 3 – 2 – 1

Second Inversion

The keyboard diagram for the E7/B, the second inversion, is shown below.

E7 Chord Second Inversion on the Piano Keyboard

Fingering Arrangement

  • Right Hand – 1 – 2 – 3 – 5.
  • Left Hand – 5 – 3 – 2 – 1

Third Inversion

The keyboard diagram for the E7/D, the third inversion, is.

E7 Chord Third Inversion on the Piano Keyboard

Fingering Arrangement

  • Right Hand – 1 – 2 – 3 – 5.
  • Left Hand – 5 – 4 – 2 – 1

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