This article on the GMaj7 chord covers its music theory, associated scales, note patterns on the fretboard, open, movable, and barre patterns, piano note layouts, inversions, fingering, etc.
Read the complete article below to learn all about playing the GMaj7 chord!
Music Theory, Notes & Intervals of the GMaj7 Chord
The main aspects of the GMaj7 chord music theory are:
- It is formed by stacking a major third interval over the G major triad, G, B, and D.
- It has notes G, B, D, and F#. The interval between D and F# is a Major 3rd.
- The three intervals of the chord are R – M3 – m3 – M3.
- The intervals of the notes from the root note are R – M3 – P5 – M7.
G Major Seventh Chord Scales
The GMaj7 chord is formed naturally in the following scales.
- D Major scale and all its modes.
- G Major scale and all its modes.
- B Harmonic Minor and all its modes.
- G Harmonic Major and all its modes
How To Play the G Major 7 chord.
In the upcoming sections, you will see how to play the Gmaj7 guitar chord and piano chords.
GMaj7 Guitar Chord – Map Chord Tones Along The Fretboard
The four notes of the Gmaj7 guitar chord [G B D F#] are shown on the keyboard up to an octave so that you can visualize their layout and the various options available to you to play these chords.
G Major Seventh Guitar Chord – Shapes and Fingerings
You can play the G Major 7th chord in many positions. The chord diagrams below show all these options and are organized based on the open, movable, and barre chord shapes.
The black circles on top of the diagrams indicate the fret numbers, while the red circles show the finger positions. The strings marked ‘X’ are to be muted or skipped. While those marked ‘O’ are to be played open.
Here
- 1 – Index Finger,
- 2 – Middle Finger,
- 3 – Ring finger,
- 4 – Little Finger.
Open Positions
The eight open positions of the Gmaj7 chord are described below.
- O1 – Construction – (x – x – 0 – 0 – 0 – 2). Notes – (5, 1, 3, and 7). D is the Bass note.
- O2 – Construction – (3 – x – 0 – 0 – 0 – 2). Notes – (1, 5, 1, 3, and 7).
- O3 – Construction – (x – 2 – x – 0 – 3 – 2). Notes – (3, 1, 5, and 7). B is the Bass note.
- O4 – Construction – (x – 2 – 0 – 0 – 3 – 2). Notes – (3, 5, 1, 5, and 7). B is the Bass note.
- O5 – Construction – (2 – 2 – 0 – 0 – 0 – 2). Notes – (7, 3, 5, 1, 5, and 7). F# is the Bass note.
- O6 – Construction – (3 – 2 – 0 – 0 – 0 – 2). Notes – (1, 3, 5, 1, 3, and 7).
- O7 – Construction – (3 – 2 – 4 – 0 – 0 – 2). Notes – (1, 3, 7, 1, 3, and 7). 5th is omitted.
- O8 – Construction – (x – 5 – 4 – 0 – 0 – 3). Notes – (5, 7, 1, 3, and 1). D is the Bass note.
O1
O2
O3
O4
O5
O6
O7
O6
Movable Guitar Chords Positions
The six movable positions are described below:
- M1 – Construction – (3 – x – 4 – 4 – 3 – x). Notes – (1, 7, 3, and 5).
- M2 – Construction – (x – x – 5 – 4 – 3 – 2). Notes – (1, 3, 5, and 7).
- M3 – Construction – (7 – x – 5 – 7 – 7 – x). Notes – (3, 1, 5, and 7). B is the Bass note.
- M4 – Construction – (x – x – 9 – 11 – 8 – 10). Notes – (3, 7, 1, and 5). B is the Bass note.
- M5 – Construction – (10 – x – 9 – 11 – 8 – x). Notes – (5, 3, 7, and 1). D is the Bass note.
- M6 – Construction – (x – 10 – 12 – 11 – 12 – x). Notes – (1, 5, 7, and 3).
M1
M2
PattAM3ern 3
M4
M5
M6
Barre Chord Shapes
The nine Barre chord shapes are described below:
- B1 – (7, 3, 7, and 1) – F# is at bass. 5th is omitted.
- B2 – (7, 3, 5, and 1) – F# is at bass.
- B3 – (1, 3, 7, 3, and 5).
- B4 – (1, 5, 7, and 3).
- B5 – (5, 1, 5, and 7). D is at bass, and 3rd is omitted.
- B6 – (1, 3, 5, 7, and 3). The root is at the fifth string.
- B7 – (1, 5, 7, 3, and 5).
- B8 – (5, 1, 3, and 7). D is at bass.
- B9 – (7, 5, 1, and 3). F# is at bass.
B1
B2
B3
B4
B5
B6
B7
B8
B9
GMaj7 Guitar Chord Diagrams – Inversions
The four-note chord GMaj7 has three chord inversions.
- First Inversion GMaj7/B with notes [B D F# G]. The Bass note is B.
- Second Inversion GMaj7/D with notes [D F# G B]. The lowest note is D.
- Third Inversion GMaj7/F# with notes [F# G B D]. The Bass note is F#.
The chords diagrams for the 1st, 2nd, and 3rd inversions are shown below as I1, I2, and I3.
I1
I2
I3
GMaj7 Chord For Piano With Keyboard Diagram.
Please see the keyboard diagram for the GMaj7 chord in the root position below, with the notes marked by red circles.
The left-hand fingering pattern is 5 – 3 – 2 – 1, where 5 is the little finger and 1 is the thumb.
The right-hand fingering pattern is 1 – 2 – 3 – 5. The finger numbers are the same for both hands.
First Inversion
The keyboard diagram for the Gmaj7/B, the first inversion, is shown below.
Fingering Arrangement
- Right Hand – 1 – 2 – 4 – 5.
- Left Hand – 5 – 3 – 2 – 1
Second Inversion
The keyboard diagram for the Gmaj7/D, the second inversion, is shown below.
Fingering Arrangement
- Right Hand – 1 – 2 – 3 – 5.
- Left Hand – 5 – 3 – 2 – 1
Third Inversion
The keyboard diagram for the Gmaj7/F#, the third inversion, is.
Fingering Arrangement
- Right Hand – 1 – 2 – 3 – 5.
- Left Hand – 5 – 4 – 2 – 1