Gmaj7

This article on the GMaj7 chord covers its music theory, associated scales, note patterns on the fretboard, open, movable, and barre patterns, piano note layouts, inversions, fingering, etc.

Read the complete article below to learn all about playing the GMaj7 chord!

Music Theory, Notes & Intervals of the GMaj7 Chord

The main aspects of the GMaj7 chord music theory are:

  1. It is formed by stacking a major third interval over the G major triad, G, B, and D.
  2. It has notes G, B, D, and F#. The interval between D and F# is a Major 3rd.
  3. The three intervals of the chord are R – M3 – m3 – M3.
  4. The intervals of the notes from the root note are R – M3 – P5 – M7.

G Major Seventh Chord Scales

The GMaj7 chord is formed naturally in the following scales.

  1. D Major scale and all its modes.
  2. G Major scale and all its modes.
  3. B Harmonic Minor and all its modes.
  4. G Harmonic Major and all its modes

How To Play the G Major 7 chord.

In the upcoming sections, you will see how to play the Gmaj7 guitar chord and piano chords.

GMaj7 Guitar Chord – Map Chord Tones Along The Fretboard

The four notes of the Gmaj7 guitar chord [G B D F#] are shown on the keyboard up to an octave so that you can visualize their layout and the various options available to you to play these chords.

GMaj7 Chord Tones Up to 15 Fret

G Major Seventh Guitar Chord – Shapes and Fingerings

You can play the G Major 7th chord in many positions. The chord diagrams below show all these options and are organized based on the open, movable, and barre chord shapes.

The black circles on top of the diagrams indicate the fret numbers, while the red circles show the finger positions. The strings marked ‘X’ are to be muted or skipped. While those marked ‘O’ are to be played open.

Here

  • 1 – Index Finger,
  • 2 – Middle Finger,
  • 3 – Ring finger,
  • 4 – Little Finger.

Open Positions

The eight open positions of the Gmaj7 chord are described below.

  1. O1 – Construction – (x – x – 0 – 0 – 0 – 2). Notes – (5, 1, 3, and 7). D is the Bass note.
  2. O2 – Construction – (3 – x – 0 – 0 – 0 – 2). Notes – (1, 5, 1, 3, and 7).
  3. O3 – Construction – (x – 2 – x – 0 – 3 – 2). Notes – (3, 1, 5, and 7). B is the Bass note.
  4. O4 – Construction – (x – 2 – 0 – 0 – 3 – 2). Notes – (3, 5, 1, 5, and 7). B is the Bass note.
  5. O5 – Construction – (2 – 2 – 0 – 0 – 0 – 2). Notes – (7, 3, 5, 1, 5, and 7). F# is the Bass note.
  6. O6 – Construction – (3 – 2 – 0 – 0 – 0 – 2). Notes – (1, 3, 5, 1, 3, and 7).
  7. O7 – Construction – (3 – 2 – 4 – 0 – 0 – 2). Notes – (1, 3, 7, 1, 3, and 7). 5th is omitted.
  8. O8 – Construction – (x – 5 – 4 – 0 – 0 – 3). Notes – (5, 7, 1, 3, and 1). D is the Bass note.

O1

GMaj7 Open O1

O2

GMaj7 Open O2

O3

GMaj7 Open O3

O4

GMaj7 Open O4

O5

GMaj7 Open O5

O6

GMaj7 Open O6

O7

GMaj7 Open O7

O6

GMaj7 Open O8

Movable Guitar Chords Positions

The six movable positions are described below:

  1. M1 – Construction – (3 – x – 4 – 4 – 3 – x). Notes – (1, 7, 3, and 5).
  2. M2 – Construction – (x – x – 5 – 4 – 3 – 2). Notes – (1, 3, 5, and 7).
  3. M3 – Construction – (7 – x – 5 – 7 – 7 – x). Notes – (3, 1, 5, and 7). B is the Bass note.
  4. M4 – Construction – (x – x – 9 – 11 – 8 – 10). Notes – (3, 7, 1, and 5). B is the Bass note.
  5. M5 – Construction – (10 – x – 9 – 11 – 8 – x). Notes – (5, 3, 7, and 1). D is the Bass note.
  6. M6 – Construction – (x – 10 – 12 – 11 – 12 – x). Notes – (1, 5, 7, and 3).

M1

GMaj7 Movable M1

M2

GMaj7 Movable M2

PattAM3ern 3

GMaj7 Movable M3

M4

GMaj7 Movable M4

M5

GMaj7 Movable M5

M6

GMaj7 Movable M6

Barre Chord Shapes

The nine Barre chord shapes are described below:

  1. B1 – (7, 3, 7, and 1) – F# is at bass. 5th is omitted.
  2. B2 – (7, 3, 5, and 1) – F# is at bass.
  3. B3 – (1, 3, 7, 3, and 5).
  4. B4 – (1, 5, 7, and 3).
  5. B5 – (5, 1, 5, and 7). D is at bass, and 3rd is omitted.
  6. B6 – (1, 3, 5, 7, and 3). The root is at the fifth string.
  7. B7 – (1, 5, 7, 3, and 5).
  8. B8 – (5, 1, 3, and 7). D is at bass.
  9. B9 – (7, 5, 1, and 3). F# is at bass.

B1

GMaj7 Barre B1

B2

GMaj7 Barre B2

B3

GMaj7 Barre B3

B4

GMaj7 Barre B4

B5

GMaj7 Barre B5

B6

GMaj7 Barre B6

B7

GMaj7 Barre B7

B8

GMaj7 Barre B8

B9

GMaj7 Barre B9

GMaj7 Guitar Chord Diagrams – Inversions

The four-note chord GMaj7 has three chord inversions.

  1. First Inversion GMaj7/B with notes [B D F# G]. The Bass note is B.
  2. Second Inversion GMaj7/D with notes [D F# G B]. The lowest note is D.
  3. Third Inversion GMaj7/F# with notes [F# G B D]. The Bass note is F#.

The chords diagrams for the 1st, 2nd, and 3rd inversions are shown below as I1, I2, and I3.

I1

GMaj7 Inversion I1

I2

GMaj7 Inversion I2

I3

GMaj7 Inversion I3

GMaj7 Chord For Piano With Keyboard Diagram.

Please see the keyboard diagram for the GMaj7 chord in the root position below, with the notes marked by red circles.

GMaj7 Chord on Piano Keyboard

The left-hand fingering pattern is 5 – 3 – 2 – 1, where 5 is the little finger and 1 is the thumb.

The right-hand fingering pattern is 1 – 2 – 3 – 5. The finger numbers are the same for both hands.

First Inversion

The keyboard diagram for the Gmaj7/B, the first inversion, is shown below.

GMaj7 Chord First Inversion on Piano Keyboard

Fingering Arrangement

  • Right Hand – 1 – 2 – 4 – 5.
  • Left Hand – 5 – 3 – 2 – 1

Second Inversion

The keyboard diagram for the Gmaj7/D, the second inversion, is shown below.

GMaj7 Chord Second Inversion on Piano Keyboard

Fingering Arrangement

  • Right Hand – 1 – 2 – 3 – 5.
  • Left Hand – 5 – 3 – 2 – 1

Third Inversion

The keyboard diagram for the Gmaj7/F#, the third inversion, is.

GMaj7 Chord Third Inversion on Piano Keyboard

Fingering Arrangement

  • Right Hand – 1 – 2 – 3 – 5.
  • Left Hand – 5 – 4 – 2 – 1

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